Trauma and Affect: (Mis)Understanding Pain in Art and Affect

Trauma and Affect: (Mis)Understanding Pain in Art and AffectTrauma and Affect: both concepts have become increasingly important in the critique of art, literature, and of culture in general, since the 1990s. In those years, a turn to trauma and a bit later also to affect took place. The concepts were being used in a great variety of ways, and in many disciplines and domains, such as queer studies, feminism, cultural analysis, art critique, literary studies and postcolonial studies, as well as in disciplines

In the practice of reduction and consolidation

social movements

handicapée depuis une commotion cérébrale

clear constructs of work performance are removed and workspaces are hybridized

A special eighth issue also will be published

a French artist focusing on images and publishing from a perspective close to anthropology or archaeology

automation and life

and to mark its twenty-fifth anniversary as an artist residence

anger and determination

No One Leaves Clean is a visceral portrait of Ghana at the turn of the new millennium

Normal Pervert

and ontologies to explore the radical potential of companionship