Three seventeenth-century plays on women and performance

Three seventeenth-century plays on women and performanceA groundbreaking edition of three seventeenth century plays that all engage in diverse and exciting ways with questions of gender and performance. The plays are John Fletcher's 'The Wild Goose Chase', James Shirley's 'The Bird in a Cage' and Margaret Cavendish's 'The Convent of Pleasure'.

Anglophobia in Fascist Italy depicts how the Fascist regime disseminated its particular image of Great Britain

It explores how myths are created about the law and how myths are created by the law

Gillian Knox and Amanda Griffkin – specializes in experimental works that incorporate non-traditional spaces

early Australian film makers’ use of New Zealand for an Australasian audience

“There are great riches here: from the interviews with senior media executives

Considers how notions of Britishness were constructed and promoted through architecture

literary and cultural contexts

Spanning half a century

The first two parts pay particular attention to those aspects of theatre that sought to shape

gun runners and shadowy traders who populated Africa’s bloody diamond wars

the ways we play them

in media ranging from marble and glass to cardboard